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Police Detain Investigative Journalist, Fisayo, Over Published Investigation



The Inspector-General of Police, Usman Baba, on Monday, ordered the detention of investigative journalist, ‘Fisayo Soyombo, at the Force Headquarters in Abuja.

It was learnt that Soyombo, the founder of the Foundation for Investigative Journalism, was detained when he honoured a police invitation.

He was, however, granted bail after about eight hours in police custody.

FIJ, in a Facebook post, wrote, “We can confirm that our Founder Fisayo Soyombo has been released by the Force Headquarters.

“He was released on bail at exactly 6:26pm today and is to return on January 13, 2022.

“Our only offence here is that we published a TRUE story.”

It has earlier been reported that Soyombo’s detention was in connection with an investigative story published by his medium in August 2021 alleging that a Deputy Inspector General of Police, Joseph Egbunike, joined other police chiefs to approve more than N1bn for some police transit camp projects in Benue, Bauchi, Plateau, Katsina and Kano states.

However, Soyombo’s FIJ reported that after a visit to the project locations, nothing or little had been done — three years later.

The news platform said Egbunike was in his former role as Commissioner of Police in charge of Budget and Finance at the Force Headquarters when the approval for the sham projects was given.

Egbunike, now a DIG, headed the police internal panel that probed suspended Deputy Commissioner of Police Abba Kyari, who was recently indicted by the Federal Bureau of Investigation for his alleged involvement in a $1.1m Internet scam said to have been carried out by an Instagram influencer, Abbas Ramon, popularly known as Hushpuppi and four others.

It was further gathered that Egbunike raised some lawyers who petitioned the IGP to prosecute the journalist for alleged defamation.

The IGP thereafter invited Soyombo to the Force headquarters in Abuja.

Upon his arrival at the Force Headquarters on Monday morning, the journalist, in a Facebook post, wrote, “I have just arrived at the Force Headquarters, Abuja, to honour an invitation from the Monitoring Unit of the Inspector General of Police. They say my ‘name and phone number featured in an investigation’ they are conducting.

“The decision to come was straightforward: I am a law-abiding citizen who has committed no crime unless journalism is one. If there is no update on this handle by dusk, it means I have been unjustly detained. I will be surrendering my devices now…”

According to The Punch, calls to Soyombo’s line were unreachable all through his detention for about eight hours.

Also, efforts to reach the Force Public Relations Officer, Frank Mba, proved abortive as he disconnected the telephone line when contacted.

The Force spokesman also did not reply to a text message seeking his comments on Soyombo’s detention as of the time of filing this report.


New Book: “Buhari:Tinubu – How they snatched, shared power”



  • Nigerian Political Buccaneers.
  • Book Title: Buhari:Tinubu – How they snatched, shared power
  • Author: Maazi Ochereome Nnanna
  • Publishers: Inteksbooks Publishers
  • Reviewer: Emeaba O. Emeaba
  • Pages: 270

If you think the eagle is not a wizard, try grabbing a piece of wood with both your feet. Analogously, this rusty old saw reminds me how it is not easy being Maazi Ochereome Nnanna. Other than the lack of a bone stuck in his nose and his eyes not ringed in chalk, the man is a shaman. Nnanna, who has been chronicling history in a hurry for onwards of forty years, drew blood when he outs and asks in his book, Buhari-Tinubu: How they snatched, shared power: “Exactly what manner of president-elect did INEC Chairman, Prof. Mahmood Yakubu, present to Nigerians after the 2023 presidential election? An identity impostor? Certificate forger? Drug lord? Lagos State treasury looter? The deadly mafia political leader? The ethnic profiler and commander-in-chief of the Jagaban Army? Or, was it Tinubu, the fiscal gamechanger in Lagos State, the assembler of high-capacity men and women, the overcomer of rough weathers, the man who knows what he wants and how to get it? Or both at the same time?”

You better believe you are in for a heart-stopping surprise. Nnanna, an award-winning newspaper columnist who has anchored the People and Politics column in Vanguard Newspapers since 1994 where he delights in making waves—okay, maybe tsunamis—as he chronicles Nigeria’s political history, writes with that belligerent but perceptive viewpoint of a University of Nigeria Nsukka journalism product. Demonstrating his shamanistic wizardry, he has given us a many-sided portrayal of Buhari and Tinubu’s quest for the office of the president of the Federal Republic of Nigeria, and how the sleight of hand—the book’s subtitle is “How they snatched, shared power”—was perpetrated. It is a prodigiously researched account of the spread of whodunit. Dubbing the duo of Buhari and Tinubu as nothing but buccaneers, Nnanna takes us on a narrative guide to the planning and execution of the feat. Displaying his vast knowledge of current affairs, politics, and history, he uses Tinubu and Buhari as his leitmotif as he follows the duo; and through their stories, we see specific instances of the culture of Nigerian politics throughout the book.

Using a journalese that is extraordinarily smooth, and effortless, the book—an eleven-chapter tome of elaborate, but tightly packed prose—provides the reader with a uniform, and entertaining rendering of the rise of Tinubu from his Lagos fiefdom to his more potent incarnation—first as a money bag, then as a king maker, and finally as the kingmaker-turned-King. Steeped in research and analysis, the story is of Buhari and Tinubu as they slalom their ways to the front of Nigeria’s political history through 1990 to 2023. Nnanna holds you by the hand and gives you a Kafkaesque tour of this Made-in-Nigeria type politics and democracy. He delineates, in vivid figures, how only the muck of our society, adept in the use of meanness that is their stock in trade: institutional inducement of extreme poverty, and the use of instruments of state security for intimidation—are able to gain power.

Nnanna is very much able to do this arduous job that he sets for himself—the four-in-one job of the accuser, the mediator, the executioner, and the undertaker. The good thing is, he is a perceptive and subtle critic who has hobnobbed with the very perps at the end of his rapier, in every corner of the Nigerian political business.

Nnanna’s interpretation of the progression of the Buhari-Tinubu odyssey is deucedly clever, intriguing, exceptionally revelatory and overwhelmingly lethal. In this enthralling, readable work, the author examines with unloving care, the crudely successive vocations of the two, each of whom attained imperial heights without the necessary certifications (and where there is one, definitely an Oluwole-type!) Meticulously researched and clearly spelled out, the narrative is eloquent of Nnanna’s writing capabilities. He writes in such a lucid, astute text that unpacks the myths of Nigerian politics to help explain present-day motivations and actions. It is tense, twisty and so incantatory and primeval that I don’t think I’ll ever forget it any time soon.

As a precursor to his rapid-fire presentation of the Buhari-Tinubu bubuyaya, he first describes them in their excellencies, warts and all. Tinubu is the political evil genius who, racked by a debilitatingly irksome malaise that sometimes transmogrifies some of his speeches into gobbledygook, is still able to concoct the potent brew that results in his being in Aso Rock. Buhari is the very metonymy for geriatric languor who basks in issuing commands, reading prepared speeches and doing nothing else. Where Tinubu lives ahead of his time, painstakingly plotting, skillfully engaging the right stakeholders, parrying blows along the way, and plain displaying political sorcery, Buhari is an archetypal zany who wears nepotism as a badge of honour and ends up picking up the first prize for the most clueless leader, ever.

Each chapter explores a specific aspect of the quest for finding a successor for President Muhammadu Buhari. The author reminds us that the APC was not alone in the project; emphasizing that three other characters form the dramatis personae of the comedy of errors.  Nnanna tells us about Alhaji Atiku Abubakar (PDP), Mr. Peter Obi (LP) and Dr Rabiu Kwankwaso (NNPP), and then provides historical context and many examples of their entries and exeunt, including when democratic principles are undermined or ignored.

For such a sweeping, often chaotic, and prickly subject, the author maintains a succinct, unswervingly revealing narrative that explicates key terms and hypothetical contexts in a way that should engross an eclectic audience.

This ambitious book tackles major Nigerian questions, and answers them in a unique, enthralling and reportorial method. “This is the first ever book about the political history and power play in Nigeria in the past 33 years with particular reference to Muhammadu Buhari and Ahmed Bola Tinubu as the leading characters who dragged Nigeria down to the status of state failure;” Nnanna gushes as he analyzes the underhanded schemes, the well-calculated machinations, the broad-daylight duplicities, the sadism, the state-sanctioned killings, the skullduggery of state institutions, the dissembling, the wickedly rancorous propaganda, the extreme favoritism, nonstop invasions of the country’s collective purse and the bungling maladministration visited on Nigeria and its unfortunate citizens by these power hucksters, and their partners. Nnanna is a skillful guide, taking you through the daunting convolutions that is the Nigerian politics that produced these conflicts.

Poisonously decent, and with surprises right up until the final parts, Nnanna is unrelenting, pointing out that the duo was the first major political partnership to form a party—the All-Progressives Congress (APC)—plotted, and successfully defeated an incumbent political party, the People’s Democratic Party (PDP) with Dr Goodluck Jonathan as the president in 2015.

As you read this gripping book, you get the sense that with Nnanna’s considerable literary firepower, he could very well have written about any subject if he had wanted to. A quintessential newsman, Nnanna is blessed with razor-sharp journalistic instincts, hereditary cynicism, and a truck-load propensity for ferreting out information and presenting same in its gore and glory. For example, he accedes that the feat of unseating an incumbent government had never happened before in the history of Nigerian politics. This, he said, is because, when a political party has produced leaders for more than two consecutive maximum terms of office, corruption would have taken over where one “godfather” or a gang of them would have hijacked power, such that no one else could come near.

Here, Buhari had taken the first shot as president for eight years, and then handed it to Tinubu on the 29th May 2023 through a contentious election blatantly compromised by the Independent National Electoral Commission (INEC) led by Prof. Mahmood Yakubu.  Nnanna argues, “a system that was bold enough to rape the electoral process in broad daylight and announce an abortion of a result in the dead of the night while people slept, showed how determined the state was to give power to a preconceived winner.”

Nnanna laments “After winning three presidential elections (2015, 2019 and 2023) it is up to the readers and, in fact, all Nigerians to decide for themselves whether the Buhari/Tinubu phenomenon in Nigerian politics was nice to their body, their pocket, or their life.” Rhetoric, in his sarcasm, he asks, “If you knew what you now know, would you have done the same thing you did back in 2015?” That sounds like a jeremiad—a listing of woes which seems to me a wistful shifting of responsibilities. He offers no solution to what ails the political system. Then again, Nnanna is a journalist—journalists have never been in the fixing business. However, the joy of his book is in both the knowing adumbration of who and what brought Nigeria to this sorry pass, and the strong emotion that endows his accusation with its charge and edge. The book concludes that Bola Tinubu has successfully knocked everyone aside (including former President Buhari) to get what he wanted; and now, fully in charge of all the instruments of state, including the Judiciary; it is a given his inauguration on May 29, 2023 has essentially trivialized the Tribunal’s business to a mere academic exercise (…knock on wood!)

While the rest of us uncommitted may stand askance and wonder what is Nnanna’s problem, those other angst-imbued victims of the concert, will splurge on the never-ending plethora of piquant disclosures, new perceptions, and impudent sentiments he serves up. Students of political history and the rest of us would have a problem putting the book down.

A copy of this book is available on, or directly from the author himself:

Dr. Emeaba, the author of A Dictionary of Literature, writes Dime novels.

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New Book: “Women Unbound”



Book Title: Women Unbound

Author: Udunma Ikoro

Publishers:  Communique Resource Hub.

Pages: 221

Reviewer: Emeaba Onuma Emeaba

Time there was when women were stampeded into remaining anonymous in plain sight. Somehow, the women chewed the inside of their lower lips, remained quiet, suppressed their emotions, and pretended not to exist. Everyone, including the chauvinistic cadre that concocted that faux-pas became the worse for it. Acceptance of that incongruity engendered unnecessary misunderstandings that resulted not only in the stifling of serious potentials, but also in the bringing about of nightmarish endings and unfulfilled promises for the significant other.  Up front, society lost the most capable, competent, and reliable co-worker; and everyone suffered, Udunma Ikoro seems to say in, “a woman is a natural influencer born with the capacity to lead and impact anyone and everything.”

The Intentional Woman by Ikoro—who brings to her subject a writer’s tenacity and a teacher’s propensity for moulding a classroom full of wide-eyed children into shape—is a generous, unsettling, and somewhat visionary work that resembles that of Dale Carnegie: a series of mini-lessons on the virtues encapsulated in the iconic “‘I can’ is the parent of ‘I did.’”

Ikoro, not only makes the book resound with instructional savoir-faire, but she also has assembled a large corpus of real-life anecdotes to back up her assertions. And, serving as a de-facto manifesto for women in general, (and men, if you want to know the truth), the word “book” does not sound right to describe it. The insight she has to offer in this excellent motivational book takes full advantage of the opportunities that Ikoro presents to the reader when she resorts to the use of the been-there-done-that class of people—some of them unnerving and disconcerting—who have had it rough but are able to forcefully, positively bounce back, in many respects.

Motivational authorities have talked themselves hoarse drumming it into us that we should overcome limiting factors against our upward mobility; to fight to bring our potentials to the fore. Sadly, that truism seems to be simply meant for the men, excluding the women in our society. The rest of us, inadvertently inveigled by generational gaffes, have buoyed the anomaly because it was so reassuringly convenient; and life goes on. Not anymore, says Udunma Ikoro, who has swung into guru territory, too. Becoming the latest in the ranks of motivational pundits like Oprah Winfrey, Tony Robbins and the good old Dale Carnegie, she has argued that the woman should not only think outside the box, but must also climb out of the box, in order to be able to do what she is created to do: be the best partner she is meant to be.

Pleasant, poised, empathetic, but this intricate book which resembles a medicinal concoction for what ails the woman of today, works on many other levels. She seems to observe her atmospheres’ world in a series of distinct, almost palpable imageries. It is suffused with a medley of literary language—from the past, from the bible, from glib anecdotes, through motivational patter, brief biographies, and on to first-person reflections.

In The Intentional Woman, Ikoro tells us, rather compellingly, that we may have measured accomplishments using different considerations and criteria, but that such success can only happen if certain of our women, some of whom are brilliance personified, bring to bear a willingness to discover those core latent talents simmering inside them. The book, which is dedicated to “every girl child, lady, woman who has desire to be more” maintains that we set aside our fears and take a leap of faith even if we have to defy certain “taboos” that tend to stultify our ability to go forth and conquer.

Ikoro argues that “In the journey of life, you must attain self-discovery; ascertain values in order to have a clearer view of your purpose in life.”  She offers a truck-load of riff on the things to do that she believes stand ready to nudge anyone who dares, along. She is at her most persuasive on the narrower motivational spiels like “In building your mind-set, stop the fear in you,”  and has dwelt, untiringly on definite themes, for example, “to be intentional is about being deliberate, working towards a purpose, being thoughtful in your choices or being proactive.”

Using real life (her life) scenarios, the book takes us through the necessary steps needed for women (and the rest of us) to unbridle our latent talents. She says we should unveil ourselves by discovering who we are; find our gifts to reveal our talents; forget whatever anyone says to the contrary of who we are; throw in some education that is at par with our self-development; and go out there to kick behinds as we claw ourselves up to a cloud nine position; which we deserve.

This book is packed. The writer Udunma Ikoro, currently the lead creative director, Communique Resource Hub, and Professional Communication Educational and Book Project Consultant, proposes we assume intentionality and not think of it as a “cliché,” but as “being purposeful in life, actions and words.” She tells appealing episodic stories, which serve to lucidly clarify multifaceted biblical allusions and anecdotes as they relate to the topic, and presents surprising perceptions into the nature of extraordinary performance: noting, for example, that profound successes are often driven by a spell of let-down and the encountering of hurdles along the way.

In eleven segments—instead of chapters—of elaborate prose, Ikoro takes an entirely different tactic to make her point. She insists that “…nobody owes me anything, nobody owes me my joy, my space, fulfilment, and anything.” Then backs that up, when she adds, “I owe myself my greatness.” In the process, she manages to write the book in such a way that it is difficult to be turned into a bouillon cube made of many ingredients. This is a tricky trapeze walk, but she is able to pull it off by weaving a motivational narrative that points to one thing: Women; go out there and get it—full stop.

Geared towards counselling, teaching, and straight up cautioning, this is a profoundly thought-provoking and significant book because Ikoro—the youngest motivational authority of our time—has performed a mystical showmanship on paper such that you could almost scratch-n-sniff the motivational frankness that is its strength. One leaves this book impressed with the way in which the author manages to haul examples and facts at the reader insisting they take the one step that would change their current ruts. The book is bound to entertain, even as it touches those hitherto untouchable topics that women are so pre-programmed to shy away from. Every girl child (nay, everybody) should read this book.

To obtain copies, email the author directly:

Emeaba, the author of “A Dictionary of Literature,” writes dime novels a la Onitsha Market Literature sub-genre.

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Journal and Papers

New Book: “I No De Give Shi-Shi” …The Promise of a New Era




Author: Chuks Iloegbunam

Publishers:  Eminent Biographies.

Pages: 192

Reviewer: Emeaba Onuma Emeaba

 “The Promise of a New Era” is one of those literary incongruities which refuse to be type-cast. The writer, Chuks (short for, Chukwu-kweleze) Iloegbunam could not make up his mind where to class the book. With its eight chapters, the book defies genre typology. Drawing on his near encyclopedic knowledge of written sources, Iloegbunam’s panoramic style graciously intermingles elements from many genres. He is able to put together what comes across like a no-be-juju-be-that-type concoction made with ingredients marinated in biography, history, autobiographic reflections eloquent of his close contact with the subject, motivational spiel, political commentary, slap-stick anecdotes, and episodic jeremiads. All this, in a breezy journalese that is a delight to read.

The book, upfront is unambiguously submitting, that it is endorsing Peter Obi, the Labour Party flagbearer for Nigerian president, “since the APC and PDP had bankrupted their threadbare political credits and deserve to step aside for a breath of fresh air to resuscitate an entity close to asphyxiation.”

The book and the author, Chuks Iloegbunam.

Peter Gregory Onwubuasi Obi was born into the family of Mr. Josephat and Mrs. Agnes Obi from Agulu in Anaocha LGA of Anambra State. He grew up in a two-storey building that doubled as a residence and the businesses of a supermarket, and a restaurant. Born in Onitsha a city also known as Market, and in a home where life revolved around the church, the school, and the shop Obi had no choice but to imbibe them all.

Obi disregards logic and side-lines the usual apprenticeship and petty-trading route that is the wont of the people of his neighbourhood, and goes to school. In short order, he finishes high school, and enrolls at the University of Nigeria, Nsukka.  Even as a student he still dabbles in trading—a trait that could not be ignored for the Anambra man. Obi becomes Chairman of Fidelity Bank at 43 years. Then, other bank chairmanships follow before he decides to play at politics. It turns out, all along, he was made for the combination of education, trading, and governance. The rest, they say, is history.

Iloegbunam seems to be dabbling in wizardry as he engages in this grand sleight of hand of combining an eerie brilliance at reasoned thought with a considerable measure of psychological analyses of the topic at hand. Haply, Iloegbunam is a journalist, a profession which equips him with impressive, often snide anecdotes—anecdotes which, in displaying an insiders’ familiarity, and intimacy with the subject, take the edge off the polemical passion a reader might expect from the book.

And with a theme as captivating, significant, and concerning as this, one is willing to put up with the author’s vacuum cleaner approach where he simply sucks up beaucoups of insightful and even minor facts and dumps them at the reader like an accusation. Some of his excerpts, from newspaper articles, social media trolls, and participant observations, are presented unembellished and in an elaborate prose put together in the Iloegbunamesque rare propensity for incorporating details into a comprehensive picture. The story is so good, and Iloegbunam organizes the reading pace in such a way that readers are carried along spell-bound.

“The Promise of a new Era” is a kind of gusty allegory of Nigeria’s political musical chair, as the country searches for a snake-oil type leader to guide her out of what had ailed her for years. One needs to have a certain panache—a talent touched by nothing short of an abracadabra to perform this tricky balancing act, but Iloegbunam who spent time as Peter Obi’s chief of staff, pulls it off. He manages to rewrite the story of Obi’s life in such a way that no one will ever be able to boil it down to a sentence. To give it a try: the book is of a man who has been touched by the gods—the story of Peter Obi’s journey from a trader, to bank chair, to governor, and to vice presidential candidate.

Aimed specifically at the electorate, “who are the hewers of wood and drawers of water” that will decide Nigeria’s future in the next election, the book discusses the internal politics of three of the main political parties, the All Progressive Congress (APC), the People’s Democratic Party (PDP), and the Labour Party (LP). It concludes that the APC and the PDP parties are nothing but a pair of one, the Devil, and the other, The Deep Blue Sea, any one of which “spells nothing other than ruination to Nigeria” as the choices facing the electorates. The Labour Party—the Third Force which Professor Utomi describes as “the option for national salvation and an unambiguous thumbs down for the political status quo”—is the party to beat.

Drawing from recent contemporary events, and even Obi’s personal experiences, the book tells of what makes Peter Obi tic.  Obi had concluded that the other parties were engaged in a comical parade of monetarism where political power is ceded to the one with deep pockets. Obi hates this and said so. That gave birth to the famous “I no de give shishi” a metonymy for which Obi represents.

Again, described as two of a kind, Obi picks, as his running mate, another high achiever Dr. Yusuf Baba-Ahmed who holds a verifiable first degree from the University of Maiduguri, an MBA from Cardiff in Wales and a Ph.D. from the university of Westminster in U.K; and at the age of 34 was already elected to the house of Representative for Zaria, and thereafter, into the Senate representing Kaduna North. At 42 Dr. Baba-Ahmed had set up the Baze University in Abuja. Their achievements underscore Obi’s quote: “If a man has not created wealth, he cannot manage wealth.” Even as the other presidential candidates, particularly Atiku, Tinubu and Kwankwaso, his co competitors, “have remained shadowy figures, defined, if at all, by hearsay and propaganda,” Obi and Dr Baba-Ahmed, with their Labour Party, have become part of the national debate and popular culture—important players in Nigeria and Nigerian youths’ economic and political life.

The book concludes that this clear combo of untainted achievement is what the Labour Party has presented to the electorate and so, uses a series of thumbnail sketches of famous political writings by trusty, name brand, Nigerian journalists to point to the same thing—Peter Obi is it.

Elsewhere, Peter Obi, the presidential flagbearer of the Labour Party, has become a hero to many Nigerian Youths who have come to dub themselves the “Obidients,” and a demon to many of status quo politicians who have manipulated the electoral process where the richest could buy the nominations of the various parties. As it stands, he is one of the most important figures in modern Nigerian history and currently the only candidate that seems to encapsulate the answer to the worry of the Nigerian youth.   But, whatever he is, politically—whether he will someday occupy Aso Rock—or whether he will be relegated to the defeated ranks of political zealots who failed to end money bag politics in Nigeria—one thing about him is certain: Iloegbunam is a gifted writer who, if he were not a Nigerian, could easily make a living as an author, of fiction or fact.

Truth be the told, the book is a very decent try at an immensely difficult subject, encompassing an enormous amount of material. Iloegbunam goes through the sources with commendable zeal. He also writes well, which is remarkable, given that he has spent much time writing memo and speeches with government register, a real killer to style.

In truth, there won’t be another book ever that grapples more determinedly and convincingly with the big picture of the Nigerian class—or which fluctuates so maddeningly between Peter Obi as a presidential candidate and the failures of the other candidates in its scrutiny. The problem is that for all his extraordinary writing, creative syntheses and moral beliefs, Iloegbunam’s “The Promise of a new Era” is awe-inspiring. This review does not purport to do justice to Mr. Iloegbunam’s message, for he has written a very important discourse on how to save Nigeria from itself.  What is especially effective about the book’s argument is its unrelenting realism.

The book is available by sending an email to the author:

Emeaba, the author of “A Dictionary of Literature,” writes dime novels a la Onitsha Market Literature sub-genre.

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