Africa
Corruption at the Nigerian Consulate Atlanta – A Victim’s Nightmarish Experience
The Nigerian High Commission in Atlanta Georgia has become a Cesspool of Corruption as some Nigerians who traveled to Atlanta from Houston for their Nigerian international passport-renewal walk out with horrible stories of bribery, extortion, and massive corruption. One victim complained of how applicants were requested to bring a blank Money Order of $130 each by one Hannatu at the Gate before they can be allowed in, and this has become a routine. Here’s is a victim’s nightmarish experience:
So we got to the Nigerian Consulate at exactly 9am this morning, the first thing my daughters said was why are there so many people lining up at the gate. My wife responded that; this is Nigeria, you are welcome (Even for me it was awkward too, the last time I saw a queue outside was at the clubs at night). The first thing I noticed from the last time I was there was the gate blocking the parking lots, I soon found out that we now have to pay $20.00 for parking (Supposedly charged by the owner of the next building to the Consulate). After parking, we wrote down our names, there were already almost 50 names written down, meaning several people had arrived at the Consulate hours before it opened at 9am, I can understand this as most of the visitors were from out of state.
A few minutes later a lady from the Consulate addressed the crowd from across the gate, telling everyone what to expect and helped answer some questions. Then they started calling the names (But not in the order that they were written down). I already told myself I wouldn’t get upset no matter what, because I had my family with me.
I thought we got everything we needed until my wife soon told me we did not have the $130.00 for each applicant and that our self-addressed envelope had no stamp, I was deflated. I was hoping we would just get there, go in, wait and do our bio and leave… Nah.
One victim complained of how applicants were requested to bring a blank Money Order of $130 each by one Hannatu at the Gate before they can be allowed in
I went to the business center in the next building and to my surprise, it was like Nigeria all over again. This guy does not only charge $20 for parking, he already bought several dozens of Money orders (130.00 each) and resale them for $140.00 each, I don’t blame him for that, that is business. However, I blame him for selling the USPS priority mail envelopes for $35.00 each… In case you don’t know, the USPS envelopes are free at the post office. So this guy go to the post office and pack stacks of free envelopes and he cannot sell them for $5.00 each but instead, he is selling a free United States property for $35.00, because he knows that the majority of the applicants travelled from out of state and most of them have to return the same day or the next with little to no time to waste. Nigerians!!!!! I am not sure that is not even a criminal offense… I am going to look into that though, so stay tuned.
One victim complained of how applicants were requested to bring a blank Money Order of $130 each by one Hannatu at the Gate before they can be allowed in
I walked out and I went to the nearest post office and bought my own Money Order, I already have some free envelopes and when I asked for stamps, the guy said they were sold out! I went to the second nearest post office, their stamps were sold out too!!! How can this happen in America! It cannot be a coincidence that the two nearest post offices to the Nigerian Consulate are out of stamps by 10am on a Tuesday. I have never heard of a US post office running out of stamps in all my life living in the US.
I had to log into my postal account to download a label and print at a UPS store.
Finally it was our turn, I presented our documents and money order, I asked the lady what should we addressed the MO’s to, and she said don’t worry, leave it blank. I was like WHAT?? She said yes leave it blank, she even wanted to take the money order without me detaching the stubs, to which I refused and stated that I can have her take the MO without me filling out the info, but I will need to keep the stubs as those are my receipts of purchase.
She agreed and added them to what she already had inside a large envelope filled with unsigned MO’s…
Questions;
Why must we always create a gap for corruption? Can we ever do anything without kickbacks? What kind of people are we, that take pride in making it’s own suffer? Is Nigerian government not paying these people? How is the government able to track how many MO’s are presented daily and who submitted which ones? Why can we not have applicants mail in their passports and schedule them for a bio appointment? Why do we always have to leave a loophole for corruption?
Though we are a Nation that have institutionalized corruption in every area of our lives, one would think that our culture of corruption will stop at the borders of Nigeria, but no. There are Embassies and Consulates of other African Nations across the world, we don’t see or hear so much issues with their citizens like that of Nigerians in diaspora. These people were appointed to look out for and protect our interests, but they turned around and are milking us dry, taking pride in being oppressors because someone nominated them for the position and they think they are bigger and better than their subjects. The whole bio process did not even take more than 15 minutes once you are called inside, but because of the many artificial roadblocks and challenges implemented to syphon money from applicants, it took us almost 6hrs.
I will not be surprised if the folks in the Consulate get some type of kickbacks from the parking fees charged by the business center beside them.
They wouldn’t even wipe down the finger printing machine after every use as directed by the CDC, subjecting everyone to potential Covid-19 infection.
Though this is something we all don’t like to talk about, like it is not our problem, as a Nigerian-American I am deeply concerned about issues like these. I strive daily to leave a better impression of myself as a Nigerian everywhere I go and with whomever I have any form of relationship with. To see the gatekeepers of Nigeria acting with such impunity in broad daylight is so disheartening.
What really is wrong with Nigeria?
By Foli Adewojo.
- FITCC Partners with Texas Southern University - September 17, 2023
- Houston Resident Builds Library In Sagyimase, Ghana - September 17, 2023
- Coco Gauff subdues Aryna Sabalenka to win the U.S. Open for her first Grand Slam title - September 9, 2023
Alice B. Otchere is a native Houstonian and was raised in Houston’s Fifth Ward. She never thought of herself as a philanthropist. After high school, she attended the University of Northern Iowa, and along the way received Business School Certifications from the University of Michigan and the University of Texas. She established herself in Houston and developed a longstanding and successful career in Human Resources, at all levels through executive levels. Otchere visited Accra, Ghana in 2019 after connecting with her sons’ Ghanian family. The family welcomed her and her sons with open arms. While touring the country, she visited Sagyimase, the village which the family called their “home village”. She observed that there were no libraries in the area for the school children and others in the community of villages.
After visiting Ghana and returning to the United States, Otchere established the non-profit Literacy for Life (www.literatelife.org) in September 2019. She has received tremendous financial support from her immediate family, including her family in Ghana who donated the land. In addition, she received support from friends and Port City Chapter (TX) Links, Incorporated sisters by hosting fundraisers and receiving donations from many donors who appreciate the value of her commitment to share blessings with those in need. She also contacted the pending Consul General of Ghana in Houston to advise him of her plans. He was delighted to hear about a Houstonian engaged in humanitarian efforts in his home country.
Ms. Otchere returned to Ghana and Sagyimase in January 2020 to announce to the family and the village community her plans to build a library. While there, her desire and plans to build a library were confirmed. She saw the local village school and recognized it was underserved. She asked one of the teachers if they had a library. There were a few books, and the bookcase was dilapidated. As an avid reader, Ms. Otchere wanted to do something to ensure the schools, the students and all who lived in the area would have access to a library. She committed to do her part to work towards building and operating a Library in Sagyimase. 2020 offered challenges with the COVID pandemic; the air space in Ghana was closed and travel into the country was prohibited. But 2020 offered opportunities to work with the General Contractor, Architect and Project Manager to layout the plans for the library.
In September 2021 Otchere returned to Ghana to break ground for the library in Sagyimase, Ghana! Since that time, the project has been on-going, and the Project team has been successfully meeting construction milestones. The library is scheduled to open and begin operations October 16, 2023,
When asked what her family takes away from this experience, Otchere says, “you don’t have to be a millionaire to help a village”.
- FITCC Partners with Texas Southern University - September 17, 2023
- Houston Resident Builds Library In Sagyimase, Ghana - September 17, 2023
- Coco Gauff subdues Aryna Sabalenka to win the U.S. Open for her first Grand Slam title - September 9, 2023
A mannequin stands with head tilted, a knee jutting from the deep bias chiffon and woven fabric hemline of Papa Oppong’s Takari T, a T-shirt worn as a dress from the Ghanaian-born designer’s celebrated 2021 Yopoo collection, which evokes a Ghanaian woman’s life from birth to marriage to death. A “Ghana Must Go” bag — the ubiquitous blue, white and red reusable bags that have come to symbolize the forced migration of millions of Ghanaians from Nigeria — sits on the floor next to the mannequin.
It’s one of two looks from Oppong included in the Brooklyn Museum’s iteration of “Africa Fashion,” the blockbuster exhibition that opened last summer at London’s Victoria and Albert Museum, and which runs Friday through Oct. 22 in New York.
“I can’t believe this is my work,” muses Oppong, as he raises his hands to his cheeks. “It doesn’t seem real. Coming from Ghana, I dreamed of creating work that could be this accessible. So this,” he says, spinning around to take in the work of fellow designers on display in a large central gallery, “is truly a dream come true.”
Like many of the additional designers included in the Brooklyn Museum exhibit, Oppong’s pieces evoke the heritage but also the political and socioeconomic realities of the African diaspora; from political satire and adherence to traditional weaving, hand-dyeing and beading techniques to collaborations with other African artists, from illustrators to weavers to photographers and musicians.
Organized thematically, the exhibition features garments, textiles, photography, books, music and catwalk footage from more than 40 designers and artists from 20 of Africa’s 54 countries, including pioneering 20th-century designers Kofi Ansah (Ghana), Naima Bennis (Morocco), Shade Thomas-Fahm (Nigeria), Chris Seydou (Mali), and Alphadi (Niger) in the “Vanguard” section. “The Cultural Renaissance” section explores the independence era, from the 1950s through the 1990s, a period of dramatic political, social and cultural upheaval reflected in the Pan-African fashion and art scene. “Politics and Poetics of Cloth” surveys the rise of Indigenous cloth as a political act; textiles from the museum’s Arts of Africa collection complement the V&A’s wax prints, commemorative cloth, àdìrẹ, kente cloth and bògòlanfini. “Capturing Change” chronicles the independence years through artists such as Seydou Keïta (Mali) and Malick Sidibé (Mali), from the museum’s collection, as well as fashion photography by James Barnor (Ghana). “Cutting Edge” is organized around concepts including “Afrotopia,” “Artisanal,” “Co-creation,” “Provocation,” “Minimalist,” and “Mixologist” and showcases a new generation of fashion designers and creatives, including South Africa–based designer Thebe Magugu, winner of the 2019 LVMH Young Fashion Designer Prize. “Through the Photographer’s Lens” examines the power of contemporary photography with a series of images of intricate African hairstyles from Nigerian photographer J.D. ‘Okhai Ojeikere, and work from New York native Kwame Brathwaite, the father of the 1970s “Black is Beautiful” movement who died last April. The exhibition concludes with “Global Africa,” which explores how the digital world accelerated the expansion of Africa’s influence in the fashion industry.
Photographer J.D. ‘Okhai Ojeikere’s images of African hairstyles are among more than 50 additional items from the Brooklyn Museum’s collection.
Additional new contemporary pieces also include Brother Vellies designer Aurora James’ Mother Nature gown with a raffia skirt and basket bodice, which the Ghanaian-Canadian designer wore to the 2019 Met Gala; a basket bag from Sudanese-American designer Eilaf Osman; and a shirt and skirt ensemble from Studio One Eighty Nine that features a pineapple husk belt and dried raffia straw hat.
“Haute couture, notions of the handmade and luxury, slow fashion, using dyes or materials that are non-invasive to the environment, this conversation around sustainability has always been part of the African continent,” says Ernestine White-Mifetu, the Brooklyn Museum’s Sills Foundation Curator of African Art, who adapted the exhibition with Annissa Malvoisin, the museum’s postdoctoral fellow in the Arts of Africa.
“And the contemporary designers from the continent have continued those traditions while taking the making and design of African textiles to a new level that’s extremely exciting,” continues White-Mifetu. “And this is an opportunity for audiences in North America to get to know what that looks like.”
The exhibit includes more than 50 items from the museum’s collection, including Egyptian jewelry from B.C.E. through 1st century C.E. and 19th and 20th century jewelry from Niger, Nigeria, Ghana, Ethiopia, the Democratic Republic of Congo, Burkina Faso. Many of the items have not preciously been on view. (The museum’s African galleries are currently undergoing a major renovation with a reinstallation slated for 2025.)
“African regions and culture and art isn’t stuck in a specific time period,” says Malvoisin. “The African fashion scene has always been vibrant, even 3,000 years ago. It was really important for us to include our collection because our collection highlights the cultural continuity and technological and manufacturing production that has continued for thousands of years and which are still being used today by the designers featured in the show.”
The contributions of African-born designers is already obvious in the fashion industry, but the exhibit is arguably the first comprehensive recognition of that legacy.
“We do fashion shows a lot [at the Brooklyn Museum], but to focus on African fashion in an expansive way, and to bring something like this to North America and in New York, which is one of the fashion capitals of the world, is really important. These shows are quite commonplace for European and North American designers,” says Malvoisin, invoking the Brooklyn Museum’s recent retrospectives of Christian Dior and Thierry Mugler. “This is placing African fashion designers on the same level as all of these other luxury fashion houses and designers. I feel like it’s just the beginning. Perhaps this will also lay the foundation and groundwork for something like that happening for an African fashion designer.”
Standing in the exhibit’s large central hall, Oppong — dressed head-to-toe in black Balenciaga, right down to his kitten-heeled shoe socks — takes in the designs from his contemporaries. “I know so many people in here,” he says, raising an arm toward a mannequin draped in Christie Brown’s She is King gold and black gown.
“I did art direction at Christie Brown for a year,” he says. “I love Kenneth Ize, Imane Ayissi. This hall is just magical.”
- FITCC Partners with Texas Southern University - September 17, 2023
- Houston Resident Builds Library In Sagyimase, Ghana - September 17, 2023
- Coco Gauff subdues Aryna Sabalenka to win the U.S. Open for her first Grand Slam title - September 9, 2023
CAPE TOWN (Reuters) – South African prosecutors on Friday significantly increased the number of charges they are bringing against Rwandan ex-police officer Fulgence Kayishema, who is wanted internationally for suspected participation in Rwanda’s 1994 genocide.
On the run for two decades, Kayishema was arrested on May 24 under a false name on a grape farm in South Africa where, according to a prosecutor, refugees working there gave him up.
He now faces 54 separate charges in South Africa relating to fraud and immigration offences, up from five previously, prosecutors spokesman Eric Ntabazalila said outside a Cape Town court.
Kayishema had been a fugitive from justice since 2001, when the International Criminal Tribunal for Rwanda (ICTR) indicted him for genocide for allegedly ordering the massacre of 2,000 people hiding in the Nyange Catholic Church.
He denied any involvement during a court hearing on May 26, though said he was “sorry” for the 1994 killings.
South Africa’s National Prosecuting Authority (NPA) alleges that Kayishema used a false identity to apply for asylum and refugee status in South Africa. Kayishema has not responded in court to the South African charges.
The case was adjourned to June 20 to allow Kayishema’s defence team to consult, at which point he could apply for bail.
Some of the local charges could see Kayishema imprisoned for up to 15 years, said Ntabazalila.
Kayishema is also expected to face extradition to Rwanda to be tried over the ICTR genocide indictment, but those proceedings have yet to begin, Ntabazalila said.
An estimated 800,000 ethnic Tutsis and Hutu moderates were killed during Rwanda’s genocide, orchestrated by an extremist Hutu regime and meticulously executed by local officials and ordinary citizens in the rigidly hierarchical society.
Kayishema’s arrest left only three fugitives indicted by the international tribunal whose whereabouts remain unknown.
- FITCC Partners with Texas Southern University - September 17, 2023
- Houston Resident Builds Library In Sagyimase, Ghana - September 17, 2023
- Coco Gauff subdues Aryna Sabalenka to win the U.S. Open for her first Grand Slam title - September 9, 2023
FITCC Partners with Texas Southern University
Houston Resident Builds Library In Sagyimase, Ghana
Coco Gauff subdues Aryna Sabalenka to win the U.S. Open for her first Grand Slam title
Corruption at the Nigerian Consulate Atlanta – A Victim’s Nightmarish Experience
Video of Murdered Nigerian Billionaire Michael Usifo Ataga Released —Viewer Discretion Advised
Peter Obi: Between the Politics of a Delegate and the Downing Street Photoshoot
Enough is Enough! O’Rourke Confronts Gov. Abbott during the Uvalde Press Conference
Fans are outraged as acclaimed Nigerian sex therapist unveils baby bump
Video of Murdered Nigerian Billionaire Michael Usifo Ataga Released —Viewer Discretion Advised
-
Africa4 days agoHouston Resident Builds Library In Sagyimase, Ghana
-
Business2 weeks agoUpcoming FITCC Conference – One-on-One with the Event Facilitator, Linda Anukwuem
-
Business4 days agoFITCC Partners with Texas Southern University
-
News2 weeks agoCoco Gauff subdues Aryna Sabalenka to win the U.S. Open for her first Grand Slam title
Eléaye Proctor
April 3, 2021 at 2:17 pm
Why do Nigerians always call it @international passports”? I wasn’t aware passports were meant for local travel. The term passport denotes it is for international travel. Please, use correct language!
Asinugo - EJIOGU. Chizo.
April 4, 2021 at 4:11 pm
VERY Sad indeed! How an we be proud of our nation when we are all corrupt? HON. ABIKE DABIRI Please step in and STOP THE ONGOING CORRUPTION AND RESTORE DIGNITY AT OUR CONSULATE. I DON’T SEE WHY Passports cannot be mailed to the embassy for renewal.
AYO OJO
April 4, 2021 at 4:26 pm
We shouldn’t be tired reporting any untoward conduct of Nigerian public officer, as there is no other way to correct and shame these agents of disgrace.May be some of these processes be made automatic to shut out the miscreants. If we give up, the few evil may win. Keep the efforts.
The offenders be sent back home without any option of acquittal