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New Book: “Buhari:Tinubu – How they snatched, shared power”

Published

2 years ago

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  • Nigerian Political Buccaneers.
  • Book Title: Buhari:Tinubu – How they snatched, shared power
  • Author: Maazi Ochereome Nnanna
  • Publishers: Inteksbooks Publishers
  • Reviewer: Emeaba O. Emeaba
  • Pages: 270

If you think the eagle is not a wizard, try grabbing a piece of wood with both your feet. Analogously, this rusty old saw reminds me how it is not easy being Maazi Ochereome Nnanna. Other than the lack of a bone stuck in his nose and his eyes not ringed in chalk, the man is a shaman. Nnanna, who has been chronicling history in a hurry for onwards of forty years, drew blood when he outs and asks in his book, Buhari-Tinubu: How they snatched, shared power: “Exactly what manner of president-elect did INEC Chairman, Prof. Mahmood Yakubu, present to Nigerians after the 2023 presidential election? An identity impostor? Certificate forger? Drug lord? Lagos State treasury looter? The deadly mafia political leader? The ethnic profiler and commander-in-chief of the Jagaban Army? Or, was it Tinubu, the fiscal gamechanger in Lagos State, the assembler of high-capacity men and women, the overcomer of rough weathers, the man who knows what he wants and how to get it? Or both at the same time?”

You better believe you are in for a heart-stopping surprise. Nnanna, an award-winning newspaper columnist who has anchored the People and Politics column in Vanguard Newspapers since 1994 where he delights in making waves—okay, maybe tsunamis—as he chronicles Nigeria’s political history, writes with that belligerent but perceptive viewpoint of a University of Nigeria Nsukka journalism product. Demonstrating his shamanistic wizardry, he has given us a many-sided portrayal of Buhari and Tinubu’s quest for the office of the president of the Federal Republic of Nigeria, and how the sleight of hand—the book’s subtitle is “How they snatched, shared power”—was perpetrated. It is a prodigiously researched account of the spread of whodunit. Dubbing the duo of Buhari and Tinubu as nothing but buccaneers, Nnanna takes us on a narrative guide to the planning and execution of the feat. Displaying his vast knowledge of current affairs, politics, and history, he uses Tinubu and Buhari as his leitmotif as he follows the duo; and through their stories, we see specific instances of the culture of Nigerian politics throughout the book.

Using a journalese that is extraordinarily smooth, and effortless, the book—an eleven-chapter tome of elaborate, but tightly packed prose—provides the reader with a uniform, and entertaining rendering of the rise of Tinubu from his Lagos fiefdom to his more potent incarnation—first as a money bag, then as a king maker, and finally as the kingmaker-turned-King. Steeped in research and analysis, the story is of Buhari and Tinubu as they slalom their ways to the front of Nigeria’s political history through 1990 to 2023. Nnanna holds you by the hand and gives you a Kafkaesque tour of this Made-in-Nigeria type politics and democracy. He delineates, in vivid figures, how only the muck of our society, adept in the use of meanness that is their stock in trade: institutional inducement of extreme poverty, and the use of instruments of state security for intimidation—are able to gain power.

Nnanna is very much able to do this arduous job that he sets for himself—the four-in-one job of the accuser, the mediator, the executioner, and the undertaker. The good thing is, he is a perceptive and subtle critic who has hobnobbed with the very perps at the end of his rapier, in every corner of the Nigerian political business.

Nnanna’s interpretation of the progression of the Buhari-Tinubu odyssey is deucedly clever, intriguing, exceptionally revelatory and overwhelmingly lethal. In this enthralling, readable work, the author examines with unloving care, the crudely successive vocations of the two, each of whom attained imperial heights without the necessary certifications (and where there is one, definitely an Oluwole-type!) Meticulously researched and clearly spelled out, the narrative is eloquent of Nnanna’s writing capabilities. He writes in such a lucid, astute text that unpacks the myths of Nigerian politics to help explain present-day motivations and actions. It is tense, twisty and so incantatory and primeval that I don’t think I’ll ever forget it any time soon.

As a precursor to his rapid-fire presentation of the Buhari-Tinubu bubuyaya, he first describes them in their excellencies, warts and all. Tinubu is the political evil genius who, racked by a debilitatingly irksome malaise that sometimes transmogrifies some of his speeches into gobbledygook, is still able to concoct the potent brew that results in his being in Aso Rock. Buhari is the very metonymy for geriatric languor who basks in issuing commands, reading prepared speeches and doing nothing else. Where Tinubu lives ahead of his time, painstakingly plotting, skillfully engaging the right stakeholders, parrying blows along the way, and plain displaying political sorcery, Buhari is an archetypal zany who wears nepotism as a badge of honour and ends up picking up the first prize for the most clueless leader, ever.

Each chapter explores a specific aspect of the quest for finding a successor for President Muhammadu Buhari. The author reminds us that the APC was not alone in the project; emphasizing that three other characters form the dramatis personae of the comedy of errors.  Nnanna tells us about Alhaji Atiku Abubakar (PDP), Mr. Peter Obi (LP) and Dr Rabiu Kwankwaso (NNPP), and then provides historical context and many examples of their entries and exeunt, including when democratic principles are undermined or ignored.

For such a sweeping, often chaotic, and prickly subject, the author maintains a succinct, unswervingly revealing narrative that explicates key terms and hypothetical contexts in a way that should engross an eclectic audience.

This ambitious book tackles major Nigerian questions, and answers them in a unique, enthralling and reportorial method. “This is the first ever book about the political history and power play in Nigeria in the past 33 years with particular reference to Muhammadu Buhari and Ahmed Bola Tinubu as the leading characters who dragged Nigeria down to the status of state failure;” Nnanna gushes as he analyzes the underhanded schemes, the well-calculated machinations, the broad-daylight duplicities, the sadism, the state-sanctioned killings, the skullduggery of state institutions, the dissembling, the wickedly rancorous propaganda, the extreme favoritism, nonstop invasions of the country’s collective purse and the bungling maladministration visited on Nigeria and its unfortunate citizens by these power hucksters, and their partners. Nnanna is a skillful guide, taking you through the daunting convolutions that is the Nigerian politics that produced these conflicts.

Poisonously decent, and with surprises right up until the final parts, Nnanna is unrelenting, pointing out that the duo was the first major political partnership to form a party—the All-Progressives Congress (APC)—plotted, and successfully defeated an incumbent political party, the People’s Democratic Party (PDP) with Dr Goodluck Jonathan as the president in 2015.

As you read this gripping book, you get the sense that with Nnanna’s considerable literary firepower, he could very well have written about any subject if he had wanted to. A quintessential newsman, Nnanna is blessed with razor-sharp journalistic instincts, hereditary cynicism, and a truck-load propensity for ferreting out information and presenting same in its gore and glory. For example, he accedes that the feat of unseating an incumbent government had never happened before in the history of Nigerian politics. This, he said, is because, when a political party has produced leaders for more than two consecutive maximum terms of office, corruption would have taken over where one “godfather” or a gang of them would have hijacked power, such that no one else could come near.

Here, Buhari had taken the first shot as president for eight years, and then handed it to Tinubu on the 29th May 2023 through a contentious election blatantly compromised by the Independent National Electoral Commission (INEC) led by Prof. Mahmood Yakubu.  Nnanna argues, “a system that was bold enough to rape the electoral process in broad daylight and announce an abortion of a result in the dead of the night while people slept, showed how determined the state was to give power to a preconceived winner.”

Nnanna laments “After winning three presidential elections (2015, 2019 and 2023) it is up to the readers and, in fact, all Nigerians to decide for themselves whether the Buhari/Tinubu phenomenon in Nigerian politics was nice to their body, their pocket, or their life.” Rhetoric, in his sarcasm, he asks, “If you knew what you now know, would you have done the same thing you did back in 2015?” That sounds like a jeremiad—a listing of woes which seems to me a wistful shifting of responsibilities. He offers no solution to what ails the political system. Then again, Nnanna is a journalist—journalists have never been in the fixing business. However, the joy of his book is in both the knowing adumbration of who and what brought Nigeria to this sorry pass, and the strong emotion that endows his accusation with its charge and edge. The book concludes that Bola Tinubu has successfully knocked everyone aside (including former President Buhari) to get what he wanted; and now, fully in charge of all the instruments of state, including the Judiciary; it is a given his inauguration on May 29, 2023 has essentially trivialized the Tribunal’s business to a mere academic exercise (…knock on wood!)

While the rest of us uncommitted may stand askance and wonder what is Nnanna’s problem, those other angst-imbued victims of the concert, will splurge on the never-ending plethora of piquant disclosures, new perceptions, and impudent sentiments he serves up. Students of political history and the rest of us would have a problem putting the book down.

A copy of this book is available on Amazon.com, or directly from the author himself: ocheromen@gmail.com.

Dr. Emeaba, the author of A Dictionary of Literature, writes Dime novels.

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Books

The General’s Tale: A Chronicle of Service, Regret, and Silence

Published

2 months ago

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March 12, 2025

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  • Book Title: A Journey in Service
  • Author: Ibrahim B. Babangida
  • Publishers: Bookcraft
  • Reviewer: Emeaba Emeaba
  • Pages: 440

In the annals of Nigerian history, few figures loom as large—or as polarizing—as Ibrahim Babangida, the military ruler who held sway from 1985 to 1993. Known to some as the “Maradona” of politics for his nimble maneuvering and to others as an “evil genius” for his controversial decisions, Babangida has long been a cipher, his legacy a battleground of competing narratives. His new autobiography, A Journey in Service, promises to peel back the layers of this enigmatic leader. What emerges, however, is a portrait both revealing and reticent—a calculated blend of candor and evasion that invites readers into the mind of a man wrestling with his past, yet unwilling to fully confront its shadows.

The book opens with a disarming simplicity, tracing Babangida’s arc from humble origins in Minna to the corridors of power in Lagos. His prose, clear and occasionally lyrical, sketches a life shaped by ambition and camaraderie, from sharing shirts with childhood friend Mamman Vatsa in their bachelor days to navigating the treacherous currents of military hierarchy. This early narrative sets the stage for his presidency, a period he frames as one of service and sacrifice. He highlights tangible achievements—economic reforms, infrastructure projects, and institutions like MAMSER and DIFFRI—casting himself as a steward of progress amid turbulent times. Yet, as the story unfolds, it becomes clear that A Journey in Service is less a reckoning with history than a meticulous exercise in self-fashioning.

At the heart of the book lies the annulment of the June 12, 1993, election—a wound that still festers in Nigeria’s collective memory. Widely regarded as the nation’s freest and fairest vote, it was poised to usher in civilian rule until Babangida’s regime abruptly voided the results, plunging the country into chaos. For the first time, Babangida expresses regret, acknowledging Moshood Abiola’s victory and calling the annulment an “accident of history.” “The nation is entitled to expect my expression of regret,” he writes, a statement that has stirred both praise and skepticism. Yet, his attempt to shift blame to General Sani Abacha and other officers feels like a sleight of hand—an effort to cast himself as a reluctant participant rather than the architect of a decision that altered Nigeria’s trajectory. The admission, while striking, lacks the depth of accountability that might have transformed it into a genuine mea culpa.

This selective candor extends to other fraught episodes. The execution of Mamman Vatsa, convicted of plotting a coup in 1986, is recounted with a mix of nostalgia and froideur. Babangida paints a vivid picture of their closeness— “we did several things together as peers”—before revealing a “recurrent peer jealousy” he now perceives in hindsight. The decision to approve Vatsa’s death, he argues, was a stark choice “between saving a friend’s life and the nation’s future.” It’s a poignant reflection, yet one that sidesteps broader questions about the trial’s fairness or the political climate that made such a choice inevitable. Similarly, his discussion of Nigeria’s first coup in 1966 challenges the “Igbo coup” label by highlighting the diverse ethnic makeup of the plotters and the role of Major John Obienu in quelling it. This revisionist take, while intriguing, feels more like a footnote than a fulsome exploration of a pivotal moment that sparked the Biafran War.

Perhaps the most unguarded moments come in Babangida’s tender tribute to his late wife, Maryam, Nigeria’s iconic first lady until her death in 2009. “Her ebony beauty set off enchanting eyes,” he writes, recalling a partnership marked by mutual devotion and rare discord. Their love story, woven through four decades, offers a humanizing counterpoint to the book’s political machinations, revealing a man capable of vulnerability—if only in the personal sphere. Yet even here, the narrative serves a purpose, reinforcing Babangida’s image as a figure of depth and relatability amid his sterner legacy.

What A Journey in Service omits is as telling as what it includes. The assassination of journalist Dele Giwa, the mysterious $12.4 billion Gulf War oil windfall, and other stains on Babangida’s tenure are met with a resounding silence. These absences lend the book an air of strategic curation, as if Babangida seeks to polish his record rather than illuminate it. The timing of its release, amid Nigeria’s current struggles, and the lavish donations at its launch by people who have never set up a business, manufactured any products or even sold any goods suggest is an eloquent reminder of his enduring clout within the elite.

Critics and admirers alike will find fodder in these pages. Babangida’s willingness to address June 12, however imperfectly, has won plaudits from some, including President Bola Tinubu, who hailed his courage at the launch. Others, like Abiola’s son Jamiu, see it as a belated balm, a step toward peace if not justice. Yet the book’s detractors decry its evasions, arguing that it sidesteps the raw honesty Nigeria deserves. This divide mirrors Babangida’s own duality—a leader lauded for infrastructure yet lambasted for corruption, a reformer who clung to power until forced out.

In the tradition of political memoir, A Journey in Service is a study in the malleability of memory. It offers a window into a complex figure, but the view is obscured by the author’s own hand. Readers seeking a definitive account of Babangida’s rule will emerge unsatisfied; those intrigued by the interplay of power and narrative will find a richer vein to mine. Sophisticated yet guarded, the book is a testament to its author’s skill at controlling the story—even if, in the end, it reveals more through its silences than its words. Babangida’s journey, it seems, remains as much a riddle as the man himself, a legacy still contested in the crucible of history.

_________

♦ Dr. Emeaba, the author of “A Dictionary of Literature,” writes dime novels in the style of the Onitsha Market Literature sub-genre.

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Raising Ramparts: Christie Ohuabunwa’s “Warrior Parenting”

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2 months ago

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March 12, 2025

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  • Book Title: Your Child is a Target
  • Author: Christie Ohuabunwa
  • Publishers: Cornerstone Publishing.
  • Reviewer: Emeaba Emeaba
  • Pages: 111

In the clamorous digital age, where information flows freely and often unchecked, Christie Ohuabunwa’s “Your Child is a Target” (A parent’s guide to safeguarding children from modern threats) emerges as a fervent call to arms for parents seeking to safeguard their offspring from perceived societal and spiritual pitfalls.  Across a concise 111 pages, Dr. Ohuabunwa, a self-proclaimed spiritual warrior and ordained minister, constructs a fortress of biblical precepts, offering a roadmap for navigating the complexities of modern child-rearing.  Yet, while the book’s foundations are firmly rooted in evangelical tradition, its ramparts, built on a worldview of spiritual warfare and stringent control, may prove too restrictive for some.

Ohuabunwa’s central thesis posits the home as a sanctuary, a “spiritual fortress” requiring constant vigilance against encroaching threats.  Scripture, drawn heavily from Proverbs, Ephesians, and Matthew, serves as both mortar and ammunition in this defensive architecture.  While this scriptural emphasis will resonate deeply with those steeped in evangelical thought, secular readers may find the pervasive biblical literalism overly prescriptive.  Indeed, the author’s unwavering emphasis on parental authority, particularly in regulating media consumption and social interactions, raises crucial questions about the delicate balance between guidance and coercion.  While “grace and truth” are invoked, the scales tip decidedly toward the latter, leaving the reader to ponder whether the children within these fortified walls are being nurtured or, perhaps, unduly regimented.

The book’s most compelling, and arguably most disquieting, sections delve into the concept of spiritual warfare as an intrinsic element of parenting.  Ohuabunwa casts childhood as a contested battleground where demonic forces relentlessly seek to corrupt and infiltrate.  This worldview, while not uncommon within certain religious circles, risks cultivating an atmosphere of perpetual anxiety.  The author’s advocacy for spiritual discernment, while laudable in principle, occasionally veers into the realm of paranoia, leaving the reader to question whether such a heightened sense of threat fosters resilience or, conversely, a self-perpetuating cycle of fear.

Ohuabunwa’s analysis of Generation Z, the so-called “digital natives,” further complicates the narrative.  She acknowledges their inherent vulnerability within the digital landscape while simultaneously recognizing their potential for “digital discipleship.”  The author encourages parents to engage with their children’s online world, even suggesting the deployment of memes and TikTok videos as vehicles for biblical truths.  Yet, this embrace of technology is tempered by a deep-seated suspicion of its insidious potential, warning against the lurking dangers of “evil connections” forged through social media.  This paradoxical approach – leveraging the very tools deemed potentially harmful – reflects a broader ambivalence towards technology prevalent within many religious communities.

The author’s staunch advocacy for discipline, a cornerstone of many parenting philosophies, is presented with a rigidity that feels somewhat anachronistic in the current cultural climate.  Her pronouncements on “corrective punishment” and the imperative to eradicate “foolishness” from a child’s heart raise concerns about the potential for emotional and psychological harm. While cautioning against “provoking children to wrath,” the demarcation between discipline and aggression remains, at times, disconcertingly blurred.

The inclusion of 60 “spiritual warfare prayers” offers a practical application of Ohuabunwa’s theological framework.  These invocations, ranging from petitions for protection to declarations against generational curses, provide a glimpse into the author’s spiritual arsenal.  However, their sheer volume and often forceful language may prove alienating to those outside her specific faith tradition.

In the context of contemporary dialogues surrounding parenting, technology, and religious freedom, “Warrior Parenting” occupies a unique and potentially contentious space.  While resonating with a long lineage of Christian parenting manuals, it also reflects the anxieties of a society grappling with rapid technological and cultural shifts.  Ultimately, Ohuabunwa’s work offers a compelling, albeit at times unsettling, window into the spiritual and cultural landscape of contemporary evangelicalism, serving as a testament to the enduring challenges of raising children in a world perceived as both promising and perilous.

See the book on Amazon: >>>>>

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♦ Dr. Emeaba, the author of “A Dictionary of Literature,” writes dime novels in the style of the Onitsha Market Literature sub-genre.

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A Scathing Indictment of Nigeria’s Judiciary: A Legal Insider’s Crusade Against Corruption

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2 months ago

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March 12, 2025

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  • Book Title: Nigeria and its Criminal Justice System
  • Author: Dele Farotimi
  • Publishers: Dele Farotimi Publishers
  • Reviewer: Emeaba Emeaba
  • Pages: 115

It isn’t easy being Dele Farotimi. He seems to relish challenging authority, relentlessly poking the proverbial bear. His 2019 book, Do Not Die in Their War, throws social media’s incendiary power onto Nigeria’s already volatile political landscape—a raw, unfiltered explosion of commentary that fearlessly exposes the nation’s festering wounds.  In 2021, he published The Imperatives of The Nigerian Revolution—a scathing and sweeping critique that depicts a nation on the brink of implosion, offering what some might consider a naive pacifist fantasy as a remedy, a desperate, perhaps delusional, attempt to bandage a gaping wound while the elite continue to hemorrhage the nation’s lifeblood.  Even as he audaciously continued to provoke those in power, seemingly oblivious to the potential consequences, his books were being intensely scrutinized by the very individuals he portrayed as too ruthless and arrogant to care – the establishment politicians.  Those at the sharp end of his blunt, uncompromising prose angrily ground their teeth and bided their time, while multiple articles and online commentaries dissected his arguments, precisely because they resonated with the growing discontent simmering within the populace.

Now, Farotimi has written a new book.  “The judiciary is hopeless and unfit for purpose,” declares Dele Farotimi in Nigeria and its Criminal Justice System, a searing exposé of the rot festering at the heart of Nigeria’s legal institutions. Farotimi, an author, political activist, and lawyer with over two decades of experience, pulls no punches. His book is a damning indictment of a system he argues has become a weapon for the powerful to exploit the vulnerable, manipulate the law, and perpetuate injustice.  Drawing from his firsthand experiences, Farotimi weaves a narrative that is as much a personal memoir as it is a forensic analysis of systemic corruption.  The result is a work that is both deeply unsettling and profoundly necessary—a clarion call for reform in a nation where justice is often a commodity auctioned to the highest bidder.

In Nigeria and its Criminal Justice System, Farotimi depicts the Nigerian justice system not merely as inadequate, but as utterly broken—so much so that he feels compelled to go beyond mere theorizing and issue a resounding call to action.  Structured around his professional journey, from his early days as a young lawyer navigating the labyrinthine corridors of Nigeria’s legal system to his eventual disillusionment with a judiciary he describes as “systemically putrefied,” Farotimi’s book transcends a mere critique of the legal profession; it is a reflection of Nigeria’s broader societal malaise.

Farotimi’s account of the Eletu case underscores the insidious intersection of law, politics, and economics in a country where power remains concentrated in the hands of a select few. This case serves as a stark illustration of the pervasive land disputes that plague Nigeria, where fraudulent claims and judicial manipulation are routinely employed to dispossess ordinary citizens of their property. The level of alleged condescension and manipulation is breathtaking. Page after page, Farotimi’s book delivers a damning indictment of a system he argues has become a tool for the powerful to exploit the weak, manipulate the law, and perpetuate injustice. Utilizing the Eletu family case—a sprawling legal saga that epitomizes the dysfunction of Nigeria’s criminal justice system—which involved a fraudulent claim by the Eletu family, he exposes the alleged collusion between senior lawyers, judges, and government officials to manipulate the law for personal gain. Farotimi meticulously details how the Supreme Court’s judgment was allegedly doctored, how warrants were fraudulently procured, and how the judiciary allegedly became complicit in a scheme to extort billions of Naira from innocent landowners.  While the book speaks to the global issue of judicial corruption, offering a case study that resonates beyond Nigeria’s borders, it can also be viewed within the context of a growing body of literature examining the failures of legal systems in developing countries, from Sarah Chayes’ Thieves of State to Jennifer Widner’s Building the Rule of Law.

However, what distinguishes Farotimi’s book is its intensely personal perspective. Unlike academic treatises on corruption, Nigeria and its Criminal Justice System is grounded in the lived experience of a practitioner who has witnessed the system’s inner workings firsthand. Farotimi’s prose is sharp and unflinching, seamlessly blending legal analysis with personal anecdotes to create a narrative that is both informative and emotionally resonant. He doesn’t hesitate to name names, implicating senior lawyers like Afe Babalola and S.B. Joseph, as well as judges like Justice Atilade and Justice Rhodes-Vivour, in the corruption he alleges plagues the judiciary. His critique isn’t confined to individuals; he also dissects the structural flaws that enable such abuses, from the perceived lack of accountability within the judiciary to the alleged complicity of the Lagos State government.

Farotimi’s book is a powerful and important contribution, but it is not without its limitations.  One of its greatest strengths, its unflinching honesty, can also be perceived as a potential weakness. Farotimi pulls no punches, whether describing the alleged incompetence of judges or the purported greed of senior lawyers.  His willingness to name names and expose the inner workings of the legal system is both courageous and necessary, particularly in a country where such issues are often suppressed.  The book’s narrative structure, centered around the Eletu case, provides a compelling framework for his broader critique of the criminal justice system. The case functions as a vehicle for exploring themes like corruption, impunity, and the abuse of power, while also offering a human element that maintains reader engagement.

However, this focus on the Eletu case can also be considered a constraint. While undeniably significant, the case may not be fully representative of all the challenges confronting Nigeria’s criminal justice system. Farotimi could have broadened his analysis to encompass other cases or systemic issues, such as the treatment of criminal defendants or the difficulties faced by law enforcement. Another potential weakness is the book’s occasional lack of nuance.  While Farotimi’s critique of the judiciary is potent, his portrayal of all judges and lawyers as corrupt or complicit risks oversimplifying a complex issue. There are undoubtedly individuals within the legal profession committed to justice, and their voices are largely absent from the narrative. Finally, while Farotimi’s prose is generally clear and engaging, it can occasionally become overly dense, particularly when discussing legal technicalities, potentially making the book less accessible to readers without a legal background.

Nigeria and its Criminal Justice System is a sobering and essential read for anyone interested in the rule of law, corruption, or the challenges facing Nigeria.  Farotimi’s account of the Eletu case serves as a powerful reminder of the human cost of judicial corruption and the critical importance of holding those in power accountable. The book is a compelling and courageous exposé that shines a light on the corruption allegedly plaguing Nigeria’s legal system.  It is essential reading for anyone concerned with justice, accountability, and the rule of law.

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♦ Dr. Emeaba, the author of “A Dictionary of Literature,” writes dime novels in the style of the Onitsha Market Literature sub-genre.

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