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Again, NHRC boss speaks on suspended sitting of Abuja #EndSARS panel

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The panel, which holds its proceedings in Abuja, stopped sitting about three months ago.

The National Human Rights Commission (NHRC), again, on Tuesday, explained why its Independent Investigation Panel set up to probe allegations of human rights violations perpetrated by the operatives of the defunct Special Anti-Robbery Squad (SARS) and other police units, has not been sitting.

The panel, which holds its proceedings in Abuja, stopped sitting about three months ago, with the NHRC’s Executive of the NHRC, Tony Ojukwu, assuring later in June that the panel would soon resume.

Speaking in an interview with journalists again on Tuesday in Abuja, Mr Ojukwu said the panel was busy handling some administrative issues.

He said the panel had a larger volume of work than the panels conducting inquiries on the similar matters of police brutality in different states of the country.

Mr Ojukwu spoke during the public presentation of a book titled, ‘The Dialectic of Rights: Nigeria’s Engagement with the Universal Periodic Review of Human Rights Council’, in Abuja.

He explained that with almost 300 complaints filed at the Abuja #EndSARS panel, “huge resources, capacity, collaborations and sum of money,” are required to adequately compensate petitioners for the infringement of their rights.

Mr Ojukwu did not say if all the petitions that need to be heard by the panel at public sittings had been concluded.

He also did not say if the panel was going to resume sitting soon as he said last month.

‘Panel not idle’

Meanwhile, the NHRC boss dispelled rumours that the panel was idle, adding that the non-sitting of the panel since March was being used to “streamline things”.

“Why we are not sitting is not as if the panel is idle; we are doing administrative things, analysing things.

“Most of the complaints are judgements of courts against the police. We don’t have to sit over them again. All these things have to be compiled and analysed,” Mr Ojukwu explained.

He also reiterated the need for the availability of money to compensate victims of police cruelty.

“When you have the idea, you must now make arrangement for money, which government has to get,” Mr Ojukwu said.

#EndSARS panels

Conceived in the wake of the #EndSARS protest against the notorious Special Anti-Robbery Squad (SARS) and the cases of police brutality in the country in October last year, the panel was inaugurated on October 21, 2020 to address the grievances of Nigerians whose rights were violated by the police over the years.

The panel, officially known as the ‘Independent Investigative Panel (IIP) to probe allegations of human rights violations against the defunct Special Anti-Robbery Squad (SARS) and other units of the Nigeria Police Force (NPF)’, is headed by a retired Justice of the Supreme Court, Suleiman Galadima.

Similar panels were also set up in most of the states of the federation. Some of them have submitted their reports to the governors in their states for implementation.

Book presentation

At the unveiling of the book, Nigeria’s minister of foreign affairs, Godffrey Onyeama, explained that the Universal Periodic Review (UPR) is a human rights promotion and protection system of the United Nations General Assembly that assesses the commitment of member states to their international human rights obligations.

Mr Onyeama, who was represented by Bolaji Akinremi, a staff member of the foreign affairs ministry, said Nigeria pledged to promote and protect human rights at home and support the NHRC in its mandate.

Commenting on the importance of the book, the minister said it would spur Nigeria to work harder for better realisation of the human rights of Nigerians.

On his part, Abubakar Malami, the Attorney General of the Federation (AGF) and Minister of Justice, said the Federal Government had cooperated with the UN human rights protection mechanism.

Mr Malami, who was represented by Abiodun Aikhomo, enumerated a number of human rights instruments such as the Violence Against Persons Prohibition Act (2015), the Anti-Torture Act (2017) and the Administration of Criminal Justice Act (2015), to give effect to Nigeria’s commitment UPR.

However, a former UN Special Rapporteur on Trafficking in Persons, Joy Ezeilo, said Nigerians’ human rights are well-documented in both national and international legal frameworks, but lacking in implementation.

According to Ms Ezeilo who is a professor of law at the University of Nigeria, Nsukka, Enugu State, noted that “Nigerians are not enjoying the human rights,” adding, “We are still battling with basic human rights.”

In his welcome remarks, the NHRC boss, Mr Okukwu, said the book was the first of its kind in Nigeria.

Mr Ojukwu itemised three areas of the UPR, noting that the most crucial stage is the implementation of the goals of the mechanism – improvement of the human rights situation on ground.

Culled from the Premium Times News Nigeria  

Houston

Houston Gets a Taste of West Africa at Chef Kavachi’s ‘Art of Fufu’ Show, August 8

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When it comes to international culinary gems and cultures across the United States, the city of Houston is counted among one of the best places to experience an authentic taste of every corner of the world.

 On the evening of Friday, August 8th, Houstonians will have a chance to engage all of their senses into the world of real West African flavors at Grubido’s ‘Art of Fufu’ Food & Art Show, a free culinary and art experience taking place at Flatland Gallery (1709 Westheimer Rd.) in Montrose.

  Curated by Grubido founder and Culinary Cultural Curator Kavachi Ukegbu, the annual celebration of west African cuisine and artistry will once again open its doors to patrons to witness the delights of creating and eating Fufu (a starchy, dough-like food that is a staple in many West and Central African countries), and its delicious and diverse pairings of soups and stews that originate from various parts of the continent, and uniquely compliment the beloved food staple as a complete meal. The event will also celebrate the observance of National Fufu Day  in the United States on August 11th.

  From the process of how different types of fufu are grown and manufactured, to the careful guidance on properly preparing the fufu to be eaten, the ‘Art of Fufu’ Food & Art showcase will give patrons a full circle perspective and appreciation for the food staple that has gained global popularity on social media and in many countries around the world.

  Attendees will be treated to fufu and soup samples, live Afrobeats music, an impressive display of fufu inspired artwork and collectables from over the years, and the opportunity to purchase Grubido food products, t-shirts, and the official The Art of Fufu cookbook. Originally published and released by Chef Kavach in 2021, “The Art of Fufu is a fascinating and informative guide to fufu, one of the most delicious and beloved staple foods of West Africans.” All cookbook purchases at the event will be signed by Chef Kavachi.

Entry for this event is free to all guests, but RSVP is strictly required in advance. To RSVP for the upcoming Art of Fufu Food & Art show, please visit the official website online at www.TheArtofFufu.com, or contact Grubido at (832) 818-6847.

The Art of Fufu Cookbook is a culinary treasure that explores the flavors, techniques, and cultural significance of fufu. It is a testament to the artistry of West African cuisine and serves as a guide for those seeking to immerse themselves in this beloved dish.

For more information, please visit www.theartoffufu.com & www.artoffufu.com

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Video: Omambala Cultural Association in Houston Celebrates Motherhood with Joyous Igbo-Inspired Mother’s Day Event

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Omambala Association in Houston Celebrates Motherhood with Joyous Mother’s Day Event

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HOUSTON, TEXAS – May 5, 2025 — The Omambala Cultural Association in Houston hosted a vibrant and heartfelt Mother’s Day celebration on Sunday evening at the Igbo Catholic Community Hall on Creekbend. The event brought together families and community members to honor the enduring strength, love, and sacrifices of mothers within the Igbo community.

Led by the association’s president, Ichelle Awkuzu, the Isaaka of Igboland, the gathering featured prayers, cultural music, dance, and speeches dedicated to celebrating motherhood. Awkuzu described the event as a moment of reflection and appreciation for mothers, emphasizing their central role in shaping families and preserving cultural values.

The association’s president, Ichelle Awkuzu, the Isaaka of Igboland, addressing the group.

 

Celebrants celebrate at the Omambala Cultural Association’s Mother’s Day celebration on Sunday evening at the Igbo Catholic Community Hall in Houston.

 

Celebrants

“Mothers are the heartbeat of our homes and the foundation of our culture,” Awkuzu said, urging attendees to honor and support mothers every day, not just on special occasions.

The celebration included lively performances of traditional Igbo music and dance, homemade meals prepared by members, and the presentation of thoughtful gifts to each mother in attendance. Vice President Chief Ugochukwu Chukwuka, known as Omemma Igbo, also delivered remarks, recognizing the vital role of mothers in nurturing future generations.

Photo from left_ Vice President of the group, Chief Ugochukwu Chukwuka – Omemma Igbo, and the President, Ichelle Awkuzu, the Isaaka of Igboland.

The evening was filled with laughter, music, and shared memories, reinforcing the communal spirit that defines the Omambala Cultural Association. Elders and youth alike participated in storytelling sessions and interactive cultural activities, creating a multigenerational experience that underscored the importance of preserving Igbo heritage. Several attendees expressed appreciation for the sense of belonging and cultural pride the event fostered.

The Omambala Cultural Association Inc. is a community-based organization representing people from the Old Anambra Local Government Area in Anambra State, Nigeria. It remains committed to promoting cultural education, unity, and socio-economic development for Igbo people in the diaspora and beyond.

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