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OPINION: Nudity And Social Consciousness

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4 years ago

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To blankly imitate a dressing from an American or a Nigerian celebrity without putting one’s social reality in context, (expecting to be accorded the same dignity those stars are accorded) is a form of self-deception.

Recently, concerns have been raised about the rampant display of nudes from youths in Nigeria (as mistakenly released sex tape or dressing). Many have wondered how youths easily imitate nude dressings of celebrities, home and abroad, to either chase clout or for some unknown reason. In a popular all-ladies television breakfast show, the ladies expressed their views individually. Some of them were of the opinion that Nigeria has no clearly defined culture which makes it easy for Hollywood and celebrities to set the dressing standard for them.

A recent example was cited of how a BBNaija housemate imitated Rihanna’s dressing, sparking conversations in Nigeria about what should be acceptable and not. Some ladies insisted that it is the advocacy for a non-judgemental society that has given room to wayward behaviours amongst youths.

Nudity is culturally complex as its meanings emerge from various states of undress in different social situations. It is the state of being in which a human is without clothing or specifically not covering the genitals. In any particular society, these meanings are defined with being properly dressed, not concerning the specific body parts being exposed. Nudity and clothing are connected to many cultural categories such as identity, privacy, social status, and moral behaviour.

Throughout much of history until the beginning of the modern era, people were unclothed in public by necessity or convenience either when engaged in effortful activity, including labour and athletics; or when bathing or swimming. The traditional dress may include nudity, or both women and men being bare-chested.

One would imagine that the exposure of a woman’s breast and genitals would attract men sexually to them, but on the contrary, the parameters for sexual attraction differ from those of the civilized.

In the colonial era, Christian and Muslim cultures more frequently encountered the indigenous peoples of the tropics who used clothing for decorative or ceremonial purposes but were often nude, having no concept of shame regarding the body; thus, the habitual use of clothing only began with civilization though, till date, there are a few tribes like the Koma tribe in Nigeria that scantily cover their nakedness with leaves and kick against clothing as a form of kicking against civilisation. One would imagine that the exposure of a woman’s breast and genitals would attract men sexually to them, but on the contrary, the parameters for sexual attraction differ from those of the civilized.

With the knowledge of the history of clothing and understanding of the peculiarity of nudity to different cultures, social consciousness becomes a key quality to be imbibed by individuals of every society. Social consciousness is a consciousness shared by individuals within a society. It is linked to collective self-awareness and the experience of collectively shared social identity. In Nigeria where most parts are civilized, our conventional dressing moral is to cover up the breast (as women), chest (as men), genitals, and parts closest to these areas like the belly button, cleavage, lap, and the likes. In certain contexts though, such as parties, modeling, and the likes, dressing otherwise seems to be unspokenly permissible. This could be a signal as to why a celebrity (secular artists) in Nigeria would adorn themselves in a nude way and be overlooked, whereas another person who, outside the context of such a dressing, would be highly criticized for putting on such.

Social consciousness is a consciousness shared by individuals within a society. It is linked to collective self-awareness and the experience of collectively shared social identity.

Our identity as a society, no matter how independent we fight to be, individually, governs our dressing conducts in various contexts. To blankly imitate a dressing from an American or a Nigerian celebrity without putting one’s social reality in context, (expecting to be accorded the same dignity those stars are accorded) is a form of self-deception. We should, in every society and context, hold up social consciousness. Freedom is not unintelligence.

♦ Favour Chiagozie Ebubechukwu is an Editorial  Staff Writer and columnist with the WAP

 

 

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Houston Gets a Taste of West Africa at Chef Kavachi’s ‘Art of Fufu’ Show, August 8

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2 months ago

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July 30, 2025

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When it comes to international culinary gems and cultures across the United States, the city of Houston is counted among one of the best places to experience an authentic taste of every corner of the world.

 On the evening of Friday, August 8th, Houstonians will have a chance to engage all of their senses into the world of real West African flavors at Grubido’s ‘Art of Fufu’ Food & Art Show, a free culinary and art experience taking place at Flatland Gallery (1709 Westheimer Rd.) in Montrose.

  Curated by Grubido founder and Culinary Cultural Curator Kavachi Ukegbu, the annual celebration of west African cuisine and artistry will once again open its doors to patrons to witness the delights of creating and eating Fufu (a starchy, dough-like food that is a staple in many West and Central African countries), and its delicious and diverse pairings of soups and stews that originate from various parts of the continent, and uniquely compliment the beloved food staple as a complete meal. The event will also celebrate the observance of National Fufu Day  in the United States on August 11th.

  From the process of how different types of fufu are grown and manufactured, to the careful guidance on properly preparing the fufu to be eaten, the ‘Art of Fufu’ Food & Art showcase will give patrons a full circle perspective and appreciation for the food staple that has gained global popularity on social media and in many countries around the world.

  Attendees will be treated to fufu and soup samples, live Afrobeats music, an impressive display of fufu inspired artwork and collectables from over the years, and the opportunity to purchase Grubido food products, t-shirts, and the official The Art of Fufu cookbook. Originally published and released by Chef Kavach in 2021, “The Art of Fufu is a fascinating and informative guide to fufu, one of the most delicious and beloved staple foods of West Africans.” All cookbook purchases at the event will be signed by Chef Kavachi.

Entry for this event is free to all guests, but RSVP is strictly required in advance. To RSVP for the upcoming Art of Fufu Food & Art show, please visit the official website online at www.TheArtofFufu.com, or contact Grubido at (832) 818-6847.

The Art of Fufu Cookbook is a culinary treasure that explores the flavors, techniques, and cultural significance of fufu. It is a testament to the artistry of West African cuisine and serves as a guide for those seeking to immerse themselves in this beloved dish.

For more information, please visit www.theartoffufu.com & www.artoffufu.com

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Video: Omambala Cultural Association in Houston Celebrates Motherhood with Joyous Igbo-Inspired Mother’s Day Event

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4 months ago

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May 11, 2025

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Omambala Association in Houston Celebrates Motherhood with Joyous Mother’s Day Event

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4 months ago

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May 11, 2025

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HOUSTON, TEXAS – May 5, 2025 — The Omambala Cultural Association in Houston hosted a vibrant and heartfelt Mother’s Day celebration on Sunday evening at the Igbo Catholic Community Hall on Creekbend. The event brought together families and community members to honor the enduring strength, love, and sacrifices of mothers within the Igbo community.

Led by the association’s president, Ichelle Awkuzu, the Isaaka of Igboland, the gathering featured prayers, cultural music, dance, and speeches dedicated to celebrating motherhood. Awkuzu described the event as a moment of reflection and appreciation for mothers, emphasizing their central role in shaping families and preserving cultural values.

The association’s president, Ichelle Awkuzu, the Isaaka of Igboland, addressing the group.

 

Celebrants celebrate at the Omambala Cultural Association’s Mother’s Day celebration on Sunday evening at the Igbo Catholic Community Hall in Houston.

 

Celebrants

“Mothers are the heartbeat of our homes and the foundation of our culture,” Awkuzu said, urging attendees to honor and support mothers every day, not just on special occasions.

The celebration included lively performances of traditional Igbo music and dance, homemade meals prepared by members, and the presentation of thoughtful gifts to each mother in attendance. Vice President Chief Ugochukwu Chukwuka, known as Omemma Igbo, also delivered remarks, recognizing the vital role of mothers in nurturing future generations.

Photo from left_ Vice President of the group, Chief Ugochukwu Chukwuka – Omemma Igbo, and the President, Ichelle Awkuzu, the Isaaka of Igboland.

The evening was filled with laughter, music, and shared memories, reinforcing the communal spirit that defines the Omambala Cultural Association. Elders and youth alike participated in storytelling sessions and interactive cultural activities, creating a multigenerational experience that underscored the importance of preserving Igbo heritage. Several attendees expressed appreciation for the sense of belonging and cultural pride the event fostered.

The Omambala Cultural Association Inc. is a community-based organization representing people from the Old Anambra Local Government Area in Anambra State, Nigeria. It remains committed to promoting cultural education, unity, and socio-economic development for Igbo people in the diaspora and beyond.

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