Anthony Obi Ogbo
Flight KL 588 from Lagos: European airlines’ handling of its African passengers may be racially discriminatory
In addition to a high rate of disparity in airfare, these systemic trends that emit prejudice, negligence, and thoughtlessness manifest as racial discrimination in service delivery standards.
The flight booking was the United States-based Delta Airlines, but the routing and services were provided by its partner airline, KLM Royal Dutch Airlines, the official airline carrier of the Netherlands. Thus, a Delta flight on January 13—originally booked as DL 9477—ended up as KL 588, a return leg originating in Lagos and heading to Houston through Amsterdam. This practice of re-booking flights under other carriers has been standard since 2020, when Air France, KLM, Delta, and Virgin Atlantic launched a partnership to provide customers with more convenient flight schedules, and a smooth and consistent travel experience, whichever airline they fly.
But just like any other European airline, flights originating from North America to Europe are often selective. Aircraft are newer and cleaner, and offer more reliable in-flight entertainment gadgets. They also have cleaner lavatories, and passengers are served fresher meals and provided with well-mannered flight attendants. Additionally, take-off delays are well-justified and are announced to passengers with the utmost respect.
However, once those airlines land at European layover airports, the story changes. Passengers transiting to African cities are hauled into dilapidated, filthy aircraft. Flight attendants may be professional and sometimes welcoming, but the evidence of systemized service shortfalls subjugate every moment. For instance, lavatories are uncared for, in-flight entertainment devices are broken-down, and the aircraft’s seat arrangement offers agonizingly tight leg room. Unprecedented take-off delays are customary, especially with flights originating from African cities to Europe.
Experience of flight KL 588 was a sorry tale of equipment breakdown and service negligence.
Accordingly, the KL 588 flight from Lagos to Amsterdam, filled with Nigerian passengers, was no different. Being a Boeing jet that looks good on the exterior, painted with KLM’s official blue color and logo, there is a mentality that because it is a KLM brand, nothing would ever go wrong. Yet the experience of flight KL 588 was a sorry tale of equipment breakdown and service negligence. The first shocker was a whopping one-hour take-off delay that left passengers seated in a crowded aircraft, grappling with hot cabin air, at a time when the highly infectious omicron variant was spreading like wildfire. Cabin attendants walked around aimlessly—a practice they were seemingly accustomed to.
The next embarrassing moment was an announcement about the nonworking in-flight entertainment system, made by a senior flight attendant, who stated, “We’re going to reboot the system, which should hopefully sort out the problem.” The system was not working at all and the flight attendants knew it, but their unethical lying to passengers about it raises other questions: Was the system rebooted? Did it work? Passengers did not receive any other explanation and instead spent six hours staring at blacked-out entertainment screens. They were equally uninformed of the progress of the trip until, finally, it was time to land in Amsterdam.
Inside this flight, Nigerian passengers narrated their past horrific experiences of flying these European airlines, and how the booking and in-flight services change when these airlines operate within the Western territories. KLM’s experience is just a yardstick, as all European airlines share this institutionalized racial service structure—an unwritten policy of discrimination entrenched in their operational standards.
A failure by these European carriers to adequately supervise their African locations in similar standards to their European bases is racist.
Flight attendants may appear professional and may wear a smiling face, yet their service system remains well-structured, bigoted garbage. KLM operatives are very much aware that their ground services at their African locations are unsupervised—usually riddled with bribery, corruption at the highest level, and unrivaled clumsiness. For example, a basic check-in process at their European locations takes less than 15 minutes, whereas it takes hours to undergo a similar process at their African locations. A failure by these European carriers to adequately supervise their African locations in similar standards to their European bases is racist.
Institutional racism is often less noticeable because of its unconcealed nature, which makes it an innocuous routine. It is illogical for these airlines to have daily flights from African to European cities—loaded with 99.9% African passengers—without Black flight attendants, without authentic African food on the menu and, worst, without African TV programs or movies in their entertainment collection. It is completely insensitive and disrespectful to the African culture to serve pasta, apple pie, rice soaked in cheese, and tasteless meat and vegetable patties on a flight filled to the brim with African natives, and to offer them entertainment devoid of African themes.
In addition to a high rate of disparity in airfare, these systemic trends that emit prejudice, negligence, and thoughtlessness manifest as racial discrimination in service delivery standards. Thus, a collective failure of these airlines to provide appropriate and professional services to their African passengers is racially prejudicial.
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♦ Anthony Ogbo, PhD, Adjunct Professor at the Texas Southern University is the author of the Influence of Leadership (2015) and the Maxims of Political Leadership (2019). Contact: anthony@guardiannews.us
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“Humility is the anchor that keeps greatness from drifting into delusion.“ —Anthony Obi Ogbo
Fame is a dangerous flame. It warms, it dazzles, and if you hold it too close, it burns straight through the layers of judgment that keep a person grounded. In its hottest glow, fame convinces artists that applause is permanent, talent is immunity, and fans are disposable. Arrogance doesn’t erupt overnight—it grows in the quiet corners of unchecked power, in entourages that never challenge, and in audiences that forgive too easily. But the world has a way of reminding every superstar of one brutal truth: no one is too famous to fall.
This season, Burna Boy is learning that lesson in real time. The Grammy-winning giant—hailed globally as the “African Giant”—is now facing one of the most dramatic reputational meltdowns of his career. Five U.S. arena dates on his NSOW Tour have reportedly been cancelled due to poor ticket sales and a fierce wave of fan backlash following his Denver debacle. What was supposed to be another triumphant American tour has spiraled into an expensive public relations disaster.
It all ignited on November 12, 2025, at the Red Rocks Amphitheatre in Colorado. The show started late. Energy was high. Then Burna Boy spotted a woman in the front row who had fallen asleep. Instead of performing through it, he halted the show, called her out publicly, ordered her partner to “take her home,” and refused to continue until they left. The humiliation would have been bad enough on its own. But later reports revealed she wasn’t drunk or uninterested—she was exhausted, mourning the recent death of her daughter’s father.
The internet demanded empathy. Burna responded with contempt. A sleeping fan, he said, “pisses me the f*** off.” And then the line that detonated the backlash: “I never asked anybody to be my fan.” Those ten words may become the most expensive sentence of his career.
This wasn’t an isolated flare-up. Burna Boy has long danced on the edge of arrogance, and the public has kept receipts. In 2019, he halted a performance in Atlanta to eject a fan who wasn’t dancing—handing the man money and telling him to leave. In Lagos in 2021, a fan who attempted an innocent stage hug was shoved off by security, sparking outrage over excessive force and coldness.
The following year was worse. In 2022, his security team was accused of firing shots in a nightclub after a woman allegedly rejected him, injuring multiple patrons and triggering legal headaches that trailed him for months. Fast-forward to January 2023: at his “Love, Damini” concert in Lagos, he arrived hours late, berated the crowd, and left fans feeling disrespected and insulted.
By 2025, the pattern was undeniable. He kicked a fan offstage during a New Year’s performance. Months later, he brought a Colorado concert to a standstill until an “unengaged” couple was escorted out. The incidents piled up, painting a portrait of an artist increasingly out of touch with the people who made him a global phenomenon.
This latest incident, however, has delivered the sharpest consequence yet: the U.S. market—a notoriously unforgiving arena—has pushed back.
Cancelled shows. Sparse crowds. Boycotts. Refund demands.
For perhaps the first time, an African artist of Burna Boy’s magnitude is experiencing a full-force American-style public accountability storm.
If African entertainers are paying attention, they should treat this moment as a case study in how fame can be mismanaged.
The first lesson: Fan value is sacred. Fans are not props. They are not subjects. They are not inconveniences in an artist’s emotional universe. They are customers, supporters, ambassadors, and—most importantly—the foundation on which every stage, every award, and every paycheck rests.
The second: Empathy is not optional. A superstar who cannot pause long enough to consider that a fan might be grieving, ill, exhausted, or battling something unseen is a superstar who has forgotten the humanity at the core of all art.
The third: Professionalism is currency. Arriving late, publicly shaming fans, halting shows, and weaponizing power in moments of irritation are choices that corrode trust. And once trust is broken, even a global superstar can watch ticket sales collapse in real-time.
Burna Boy is an extraordinary artist—brilliant, groundbreaking, and influential. His musical legacy is secure. But greatness in artistry is not the same as greatness in character. Fame tests the latter far more than it rewards it. And the spotlight, no matter how bright, does not protect anyone from the consequences of their own behavior.Humility is the anchor that keeps greatness from drifting into delusion. Burna Boy’s current storm is a brutal reminder that talent without restraint can become tyranny, and fame without introspection can become a curse. Artists rise because people believe in them, invest in them, and support them. When that respect is abused, loyalty evaporates. The lesson is stark: the higher the pedestal, the harder the fall—and the fall always comes. What matters is not the applause you command, but the humanity you maintain long after the music stops.
♦Publisher of the Guardian News, Professor Anthony Obi Ogbo, Ph.D., is on the Editorial Board of the West African Pilot News. He is the author of the Influence of Leadership (2015) and the Maxims of Political Leadership (2019). Contact: anthony@guardiannews.us
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“Buhari’s legacy is not a national treasure—it is a cautionary tale of tyranny cloaked in uniform and democracy.” —Anthony Obi Ogbo
In many cultures, including mine, it’s considered immoral to speak ill of the dead. But tradition should never demand silence in the face of truth, especially when that truth is soaked in blood, broken promises, and the battered dignity of a nation. General Muhammadu Buhari, former military dictator and two-term civilian president of Nigeria, has finally departed this world. He died in London, a city he frequented not as a diplomat or global statesman, but as a medical tourist—fleeing the ruins of a healthcare system he helped wreck with decades of authoritarianism, tribalism, and economic blundering.
Muhammadu Buhari emerged from the rotten womb of Nigeria’s corrupt military order — a regime where brute force outweighed intellect, and the rattle of an AK-47 silenced the rule of law. In this twisted hierarchy, competent officers were buried in clerical backrooms while semi-literate loyalists were handed stars, stripes, and unchecked authority. It was a theater of mediocrity, where promotion favored obedience over merit and ignorance was rewarded with rank. Within this structure of absurdity, Buhari thrived — a man with no verifiable high school certificate, yet elevated above the constitution, above accountability, and tragically, above the very people he was meant to serve. He didn’t just symbolize the decay; he was its product and its champion.
Let’s not sugarcoat his legacy. Buhari was no hero. He was a man whose grip on power twice disfigured Nigeria’s soul — first with military boots from 1983 to 1985, then under the guise of democracy from 2015 to 2023. His government jailed journalists, brutalized citizens, crippled the economy, and widened tribal divisions with unapologetic bias. His infamous Decree No. 2 sanctioned indefinite detentions. His so-called “War Against Indiscipline” terrorized the innocent. His economic policies were textbook disasters.
Buhari governed with the cold logic of a tyrant who believed brute force was a substitute for vision — and silence a substitute for accountability. The Southeast, in particular, bore the brunt of his vengeance-laced leadership. His disdain for the Igbo people was barely concealed, a poisonous remnant of civil war bitterness he never let go. In his death, that venom remains unresolved, unrepentant.
Let the record reflect that many of us do not weep. We remember.
Even more damning is the legacy of hypocrisy. After decades in power and access to untold national wealth, Buhari could not trust the hospitals he left for ordinary Nigerians. He died where he lived his truth — in exile from the very system he swore to fix. That is not irony. That is an indictment.
And now, as scripted eulogies pour in — from paid loyalists, political survivors, and the ever-hypocritical elite — let us not be fooled by the hollow rituals of state burials and national mourning. Let the record reflect that many of us do not weep. We remember.
- We remember the students gunned down.
- The protesters beaten in the streets.
- The journalists silenced.
- The dreams buried beneath military decrees and broken campaign promises.
We remember that Buhari was not simply a failed leader — he was a deliberate one, whose failings were not accidents but strategies.
And so, here lie the cold remains of one of Nigeria’s most divisive and mean-spirited leaders — a man who brutalized the democratic process with the precision of a tyrant and the coldness of a man utterly void of remorse. As Muhammadu Buhari begins his final, silent descent into the earth, one can only imagine him entering eternity still questioning the justice of creation: Why did God make women? Why did He place oil in the Niger Delta and not in Daura? And why, of all things, did He dare to create tribes outside the Fulani?
It is not my job to mourn a dictator. My duty is to chronicle them — how they ruled with iron fists, trampled their people, choked the press, and finally died, not as legends, but as small men stripped of all illusions. Dictators are counterfeit gods, tormenting peaceful nations while their delusions last. But sickness humbles them. Death silences them. And in the end, all their grandstanding collapses like dust in a grave.
As a journalist, I will record Buhari’s death with precision, not reverence. I will report the pomp, the propaganda, and the hollow eulogies that will rain down like cheap perfume on a corpse. I will write the truth, because history must never confuse power with greatness — especially when evil wore both the uniform and the ballot.
Let the living learn. Let the wicked sleep. And let the truth outlive them all.
I will not mourn a man who ruled through fear and died surrounded by foreign doctors while his people die waiting in overcrowded hospital corridors. I will not pretend this is a time for unity or healing. This is a time for reckoning. For too long, Nigeria has recycled tyrants and renamed oppression “leadership.” Buhari’s death should not be a moment of forced reverence but a pause for honest reflection. Let his final chapter be a lesson carved into our collective memory: that power without purpose, and rule without empathy, always ends in disgrace. History should not be kind to tyrants simply because they are no longer breathing. If we are ever to break the chains of corruption and cruelty, we must bury the lies with the bodies — and speak truth, even at the graveside. Let the living learn. Let the wicked sleep. And let the truth outlive them all.
♦Publisher of the Guardian News, Professor Anthony Obi Ogbo, Ph.D. is on the Editorial Board of the West African Pilot News. He is the author of the Influence of Leadership (2015) and the Maxims of Political Leadership (2019). Contact: anthony@guardiannews.us
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Anthony Obi Ogbo
Dunamis Digital Dilemma: Why Shutting Down Virtual Worship May Alienate a New Generation of Believers
“Spirituality is no longer confined to physical sanctuaries” —Anthony Obi Ogbo
The demands of the digital and virtual age, especially in the wake of the COVID-19 pandemic, are both undeniable and irreversible. The pandemic didn’t merely disrupt norms—it reshaped them. From global commerce to education and religious observance, the shift to digital platforms is now a defining feature of contemporary life. The surge in e-commerce has revolutionized how consumers behave, compelling organizations to reinvent their digital presence through social media, targeted marketing, and immersive experiences like augmented and virtual reality.
Yet, while many institutions have adapted to these realities, some remain entrenched in pre-pandemic mindsets. One recent example is the Dunamis International Gospel Centre in Abuja, Nigeria, under the leadership of Pastor Paul Enenche. The church announced the suspension of its live-streamed services, citing the biblical imperative for believers to gather physically, as referenced in Hebrews 10:25.
While the theological rationale was emphasized, the practical implications—particularly financial—were conspicuously understated. Churches around the world have successfully embraced virtual platforms not just to foster spiritual connection but also to maintain financial stability through online giving systems. In contrast, Dunamis’s move appears to prioritize physical attendance at the expense of accessibility and inclusivity.
In today’s digitally integrated society, suspending virtual worship risks alienating many who have come to rely on these platforms. Individuals with health challenges, mobility issues, or who live far from church facilities depend on livestreams to remain spiritually connected. More importantly, younger generations increasingly seek faith experiences that mirror their digital-first realities—flexible, inclusive, and globally accessible. By disregarding these expectations, churches may unintentionally push away the very audiences they aim to engage.
Pastor Enenche’s decision, while perhaps grounded in spiritual intent, may prove counterproductive in practice. The younger demographic—tech-savvy, mobile, and globally aware—now expects more from institutions of faith. They are turning toward worship centers that treat digital engagement not as an afterthought but as a vital dimension of spiritual life. The hybrid church model—integrating both in-person and online elements—has emerged as a powerful strategy for expanding reach while honoring traditional values. It allows churches to be both rooted and relevant.
The decision to suspend livestreaming church services reflects a deeper tension between tradition and innovation, between preserving ritual and adapting to contemporary realities. Faith institutions today are not just places of worship; they are also cultural anchors navigating an increasingly digital society. Ignoring this evolution risks rendering the church irrelevant to a generation that lives, works, and worships online. Spirituality is no longer confined to physical sanctuaries—it’s present in podcast sermons, Zoom prayer meetings, WhatsApp devotionals, and YouTube gospel concerts.
Virtual engagement is not a dilution of faith; it is an extension of it. It makes the message of hope and redemption accessible across boundaries of geography, ability, and circumstance. The pandemic revealed this, but the future will demand it. Churches that fail to embrace digital tools risk becoming spiritual silos—isolated, inflexible, and out of touch with modern believers.
Leadership in ministry, like leadership in any other sphere, must evolve with the people it seeks to serve. Pastor Enenche and others in similar positions should not view digital transformation as a threat but as an opportunity—an opportunity to reach farther, touch deeper, and uplift more lives. The gospel, after all, is meant for all—and now, more than ever, everywhere.
♦Publisher of the Guardian News, Professor Anthony Obi Ogbo, Ph.D., is on the Editorial Board of the West African Pilot News. He is the author of the Influence of Leadership (2015) and the Maxims of Political Leadership (2019). Contact: anthony@guardiannews.us
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